Frederic,lord leighton,p.r.a.,r.w.s
1830-1896
English painter and sculptor. He studied in Florence. His first exhibited picture, which showed Cimabue's Madonna being carried through the streets of Florence, was purchased by Queen Victoria in 1855. Leighton was president of the Royal Academy from 1878 until his death. Related Paintings of Frederic,lord leighton,p.r.a.,r.w.s :. | The Astronomer | Dream Caused by the Flight of a Bee Around a Pomegranate a Second Before Awakening | The Morning Bath_l | St Christopher | The Church break down | Related Artists: Jan Van Den HoeckeFlemish Baroque Era Painter, 1611-1651
was a Flemish Baroque painter and draughtsman. He was born and died in Antwerp. He first apprenticed with his father, the painter Gaspar van den Hoecke (1595?C1648); then worked in the studio of Peter Paul Rubens. Jan's brother Robert van den Hoecke (1622?C1668) was also a painter. The artist and his father were well known for their 1635 execution of decorations for the Arch dedicated to the Emperor Ferdinand III in Antwerp. In this collaboration, Jan painted monumental representations, as seen in his piece, Triumphal Entrance of Cardinal Prince Ferdinand of Spain, (Uffizi Gallery). Hoecke then traveled to Austria under the commission of the Emperor Ferdinand III after 1637, staying for about ten years. He also painted for Ferdinand's brother, Archduke Leopold Wilhelm of Austria (1614-C1662), including a Madonna and Child and a number of allegorical pieces. Before this he traveled to Italy and worked in Rome, which may have influenced his style some. Another piece by Hoecke is his, Hercules between Vice and Virtue, (Uffizi Gallery), which shows an influence from both Rubens, and another pupil of the master Baroque painter, Anthony van Dyck. Millet, Francis DavidAmerican, 1846-1912 SARACENI, Carlo Italian painter, Roman school (b. 1579, Venezia, d. 1620, Venezia). Italian painter. He is best known for his jewel-like paintings representing sacred and secular themes, which combine a delicate technique inspired by Adam Elsheimer with a note of observed realism owed to Caravaggio. He also painted altarpieces and worked in fresco.
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